Whilst cartographic fantasy has been popularized by novels of these genres it has also become a standalone hobby and artistic pursuit.
Stefan Ekman says that, "a map re-presents what is already there a fictional map is often primary – to create the map means, largely, to create the world of the map." Fantasy cartography usually manifests from worldbuilding and often corresponds to narratives within the fantasy and science fiction genres. Awdryįantasy cartography, fictional map-making, or geofiction is a type of map design that visually presents an imaginary world or concept, or represents a real-world geography in a fantastic style. The following resources cost a little money, but I definitely recommend checking these related products out to complement my Treasure Map Maker.Study and creation of maps of imagined places or eventsĪ map of the fictional kingdom of Aredia, which is a generic campaign setting used in role-playing games A Visualization of The Cartographic Process A map of the fictional Island of Sodor from The Railway Series by Rev. Then finish off your map with 3 pattern swatches which add grid effects and an illustrated texture to the seas, before placing the bonus vintage paper texture as an overlay with the Multiply blending mode to give your treasure map the perfect aged appearance.ĭownload My Free Treasure Map Maker Want more? Check out these great related products Pattern brushes of doodled dots and dashes also help you plot your route. Copy/Paste each individual graphic, or drag and drop them directly from the supplied Symbol Library (Tip: The Symbol Sprayer tool is great for placing multiple trees!).Ĭhoose from 4 ready-made island outlines, or draw your own using a selection of brushes to add details to coastlines and borders. It contains 24 hand-drawn assets, including mountains, trees, ships, and a treasure chest to fill out the landscape with scenery.
My free Treasure Map Maker is a combination of tools and vector graphics that help you to build an illustrated fantasy map quickly and easily.
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